THE MUMMY: The Dark Universe Is A Doomed, Redundant Idea
[Published at Film Inquiry] Among both cinephiles and casual filmgoers, I was likely in the minority for holding out some...
DONNIE DARKO: Third Theatrical Time Is An Unwavering Charm
[Published at Film Inquiry] On March 31, 2017, both the original and director’s cut versions of Donnie Darko were released theatrically...
BAND AID: Zoe Lister-Jones, A Bonafide Sextuple Threat
[Published at Film Inquiry] Mark my words. The weekend of June 2, 2017 will go down as one of the...
Interview With Matt Schrader On The Making Of SCORE: A FILM MUSIC DOCUMENTARY
[Published at Film Inquiry] Approaching the release of his debut film, Score: A Film Music Documentary, writer and director Matt...
SCORE: A FILM MUSIC DOCUMENTARY: An Immersive Glimpse Behind The Curtain
The only flawed aspect about Score: A Film Music Documentary is its brevity; writer and director Matt Schrader’s documentary will leave the...
LET ME MAKE YOU A MARTYR: The American South Is Hell On Earth
[Published at Film Inquiry] Writers and directors Corey Asraf and John Swab’s feature debut, Let Me Make You a Martyr,...
The Berlinale 2017 Highlight Reel
This is a short film I made from covering my first film festival for a media outlet, the Berlin International...
“DISCREET” Berlinale Interview
This is a condensed version of a video interview with director Travis Mathews (“Interior. Leather Bar”) and actor and producer...
THE WIZARD OF LIES: Though Nothing Profound, De Niro Astounds
[Published at Film Inquiry] Barry Levinson, responsible for some of the most critically well-received films of the last 40 years,...
TAKE ME: Pat Healy Finds His Calling
[Published at Film Inquiry] You’ve seen him everywhere over the past two decades as a character actor. He has one...