WILDLING: Move Over, Vampires
“Do you want to hear a story? Do you want me to tell you about the wildling? His teeth are...
AN ORDINARY MAN: Silberling At The Top Of His Game
Philosopher Hannah Arendt once had the famous theory that evil was simply banal. Essentially, what she meant was: “Evil is never ‘radical,’...
THE FORGIVEN: Whitaker & Bana At Their Respective Bests
[Published at Film Inquiry] Michael Ashton is a playwright and screenwriter from Dundee, Scotland. Before he became a writer, he served...
THE LULLABY: A Sporadically Jumpy, Bland Horror Film
The Lullaby, the latest horror film to come out of South Africa, is the slowest of burners of a film....
LOOKING GLASS: Cage & Tunney Can’t Save This Mess
[Published at Film Inquiry] Nicolas Cage’s latest film, Looking Glass, is something of a Frankenstein’s monster that’s muddled in nostalgia and clichés. Looking...
THE CURED: A Smart Reinvention Of The Zombie Horror Subgenre
[Published at Film Inquiry] Director David Freyne will no longer be a no name of cinema after his incredible feature film debut, The...
HALF MAGIC: Heather Graham’s Directorial Debut Impresses
[Published at Film Inquiry] Can you believe Heather Graham hasn’t written or directed a film until Half Magic? The Hollywood heavyweight has been...
FREAK SHOW: Alex Lawther Dazzles In A Transformative, Career-Making Performance
[Published at Film Inquiry] Heavyweight producer Trudie Styler’s (Moon, Still Alice, American Honey) directorial debut, Freak Show, is far from perfect, but Styler establishes tremendous promise, a...